I’m so excited. I get to review Eleanor Jones Harvey’s The Civil War in American Art by Yale University
Press. If you like history and art, it
is well worth looking into.
As a Civil War aficionado, one tends to find much of the
same information in many books. The
Civil War and American Art deals with many popular Civil War topics but does so
from so refreshing an angle that even the most devoted Civil War reader will
learn something new. Art is a reflection of society and this book reflects an
honesty from a society so deeply ingrained in modern imagination that many
people ignore what the society, itself created.
Harvey seamlessly melds the art into the context of the day
using excerpts from literature and first person accounts. The book does not
only cover the war years but also includes the years leading to war as well as
the decade after to place Civil War era art into its proper context.
Harvey discusses well-known symbolism in pre-Civil War and
Civil War literature and art such as the use of comets and meteors at the start
of the war. Shortly before the war, a meteor
was seen by many from New York to Delaware. Many took it as an omen that John
Brown, the radical abolitionist known as the “Meteor of War’s” prediction was
coming true. On the gallows for his organization of a slave uprising, he wrote
a note stating, “I, John Brown, am now quite certain that the crimes of this
guilty land will never be purged away but with blood.” It was striking symbolism
used by artists and writers at the time who felt that their lives were about to
change.
Not excluding photography, Harvey introduces the rather unprecedented
work of famous wartime photographers such as Mathew Brady, Alexander Gardner,
Timothy O’Sullivan and George S. Cook giving an in-depth look into the medium
of photography as it was. In a time when almost everyone has a camera in their
pocket, it is difficult to imagine just how shocking the images of war were to
the people of the 1860s. From only ever seeing paintings and etchings of
gallant soldiers fighting artistic battles to the sudden shift of seeing
lifeless, mangled bodies piled like meat really brought the true cost of war
home to people.
This book is a very interesting read with stunning
photographs. It gives a very in-depth look into the art and literature of the
time, allowing the reader a better-rounded view on the culture of the people
that created it.
If you know little about the Civil War conflict in the U.S. (1861-1865), a trip to the Smithsonian American Art Museum this weekend will supply a quick education. And if you know a lot about the Civil War, this is a big show commemorating the war’s 150th anniversary you do not want to miss.
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