WARNING Photo Heavy Post! 18th Century Trades at Newlin Grist Mill

I don't even know where to start with the Fall Harvest Festival at Newlin Grist Mill in Glenn Mills, PA. So much was going on my head is still spinning! There were so many interesting an unique displays, and I didn't even get to see them all.    

If you've never been to Newlin, the site has a many historical buildings: houses, a mill with working water wheel, blacksmith shop, and log cabin. I stayed mostly in the mill today. We were lucky the rain held off until the event finished and there was quite a decent turn out. 

Carpentry. Rich Schuman of For Woodness Sake using a spring pole lathe to make wooden spoons and bowls.

Silhouettes by Brian S. Miller of Historic Odessa Foundation. Parents and kids took turns posing and drawing silhouettes.

Beer Brewing. I unfortunately/fortunately was stationed right above the beer brewing and it took me a while to realize what the odd steam coming through the floor was. Now I'm beer flavored.

Paper marbling with Danielle of Colonial Bookbindery.

Green sand pewter casting. Sorry for the multiple images here but I found this to be really fascinating.

Brickmaking. This was a fun display that demonstrated a trade that most people would think is boring if they didn't know all of what went into it.

18th century Horticulturist display.

Scherenschnitte. I only had a chance to pop my head in here but the papercuttings were very finely detailed and beautiful.

Flintknapping. A fascinating display on flintknapping and the making of stone and bone tools. In the barn was a concert of 18th century performers.

Blacksmithing. This is the shop that I learned to blacksmith in during college. I was never very good at it. :)

Lye and potash boiling for soap making and quick rise baking. I am currently very interested in this as I've been meaning to make soap.

Archaeology. Normally at Newlin, I am with the archaeology program. Today they found something interesting at the 18th century level. A floor or a wall that no one knew was there, next to the covered millrace (the arch shaped stonework). You can see it under the wood board in the second photo.

Hope you enjoyed the images! It was a fun event, I'm sorry I didn't get to walk around more. 

Help Decode 15,971 Civil War Telegrams!

The Huntington Library is looking for volunteers to help decode and transcribe 15,971 telegrams sent by the Union Army during the Civil War. These telegrams are part of the Thomas T. Eckert Papers which not only contain everyday wartime communication, but are also know to contain coded messages to Abraham Lincoln.  The project aims to make these messages available online and accessible and is funded by a grant from the Publications and Records Commission (NHPRC).

Eckert was the aide-de-camp of military telegraph operations for General McClellan and soon became the administrator of the War Department's military telegraphs at the capitol and went on to become Assistant Secretary of War in 1866. The telegraphs are part of his personal collection and no doubt hold a lot of new information about the war that can only be discovered if everyone helps!  

CLICK HERE TO TRY YOUR HAND AT DECODING

The Value of Costumed Interpreters: Part 1

No one can deny that costumed interpreters have become very popular at historic sites in recent years to the point that they are ubiquitously associated.  This may be a strange topic, especially for someone who spends a great deal of time teaching as a costumed interpreter but after years as one, I often question the effectiveness of it.

I almost dread when people ask me what I do. It's silly, because I love what I do. I tell them that I work at a museum. I am an educator and guide. I create educational programs and do extensive research. (I also have a B.A. in History and am certified to teach high school. But I think this is besides the point.)

This is the typical response when I tell people what I do:

"So you wear a costume and stuff?"

I can't help but think that visitors  find tour guides in polo shirts and slacks inherently more credible than guides in costumes. There are many good reasons to have costumed interpreters at historical sites. For one thing, it definitely catches the attention of children and teenagers and can draw them in. Costumed interpreters generally make the experience more interactive for visitors. Many people find the difference in what people of the past wore compared to what they wear very interesting and it is always the source of many questions from visitors. 

I understand why costumed guides have become so popular. They do a lot of good and are sometimes the only draw to a site. Take for instance, living histories that are only displays of costumed interpreters and nothing else. But I also wonder if it is hurting as well.


Reenactors and costumed guides have become something laughable in popular culture. A costumed interpreter will certainly appear less credible than a tour guide in a uniform holding a binder full of their research and notes. (Something that few costumed interpreters do for the sake of not wanting to ruin the immersion experience.) 

But the main downfall of costumed interpreters is also one of their biggest strengths. They can make everything seem more like theater or a costume party, not a source of valuable research. They can also make some people feel like they shouldn't try to interact with the "actors."

Historical sites should take note of the benefits and drawbacks of costumed interpreters. Reenactors fulfill their purpose at reenactments where entertainment value is more inherent but for sites, but it is not always perfect for historical sites trying to emphasize education.

There are many ways to minimize drawbacks and reinforce the benefits of costumed interpretation:

-Have both costumed and uniformed guides. Some sites that take this approach choose to have uniformed guides explain what costumed ones are doing but others just have a good mix of both present to appeal to more visitors.

-Let the visitors dress. This is by far an expensive option not accessible to many sites but even just letting a one or two visitors slip the clothing on over their clothes as a display is enough to draw the others in and makes them feel less alienated from the guides. 

-Have your costumed guides give a little background about themselves and specifically what areas they focus on. It's much easier for visitors to accept that your guides are credible if they talk a little about their personal research areas. It also helps visitors know what particular questions to ask to whom. Guides don't have to have extensive "historical credentials" to do this either, just let the visitors know you aren't just a random person with no interest in anything historical.

What do you think of costumed interpreters or if you are a costumed interpreter have you ever experienced issues?